Managing high performers – the Miles Davis way

What does Miles Davis have to do with managing high performers in business? Good question. Miles Davis is rightfully acclaimed as an icon of jazz, but he didn’t make music alone.  Throughout his career as a bandleader, Miles worked with other iconic figures of jazz to create music that stands even today as among the highest forms of the genre. John Coltrane, Herbbie Hancock, Wayne Shorter, “Philly” Joe Jones, Keith Jarrett, Ron Carter, Tony Williams and many others among the giants of jazz graduated from “Miles University”. Miles Davis, time and time again, brought together some of the most talented musicians in their own right to work with him in his musical exploration. How did he do it? This article will explore the lessons of Miles Davis in the art of leading the best to be their best. eBook: The definitive checklist for qualifying training providers

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Lesson 1: Be excellent, publicly

Miles Davis was able, on many occasions, to put together bands of some of the most talented musicians of their time throughout his career. Miles’ reputation clearly preceded him. Receiving a call from Miles was seen as having achieved a high level of musicianship. But that wasn’t the only reason so many musicians with promising solo careers agreed to support Miles. They believed they would learn something based on Miles’ excellence as a musician and band leader. Miles greatness was easy to see through his performances, compositions and recordings.

How easy is it for high performers to recognize your excellence? There is a tendency among many leaders not to “toot their own horns” about their own performance and accomplishments. While a leader may not need to sing his own praises, it is important that someone does it for him. A leader’s excellence will attract others who want to achieve the same level of competence, while increasing the leader’s  credibility and ability to guide, mentor and teach.

Lesson 2: Don’t hire a trumpet player

Miles’ great combos included players with different styles and tendencies. He hired players who would complement his playing and each other’s. He didn’t need anyone who sounded like him because he had that covered.

In business, it can be difficult to avoid the temptation to hire people who mirror our backgrounds, experiences, styles and tendencies. After all those competencies served us well in our careers. It is important to remember as a leader that our success is a reflection of the past while we are hiring for the future.  The pace of change doesn’t only require different technological skills it also requires new communication and leadership skills from those current leaders needed at earlier stages of their careers. Hiring teams with complementary but different skills and areas of expertise broadens the set of problems they can solve and increases their impact on the organization.

“It’s not about standing still and becoming safe. If anybody wants to keep creating they have to be about change.”
Miles Davis

Lesson 3: Play together and produce excellence

Miles’ bands grew into cohesive units through performances, not rehearsals. Each performance created a wealth of learning opportunities for Miles and his band mates. The urgency of the moment created a focus and intensity that would be very difficult if not impossible to reproduce in a rehearsal. By focusing on playing together and learning from the experience, Miles could correct on the spot, encourage and support his band to take risks, push themselves and reach new heights of excellence.

How often do you perform with your high performers? Finding opportunities to produce excellence together will give you more chances to learn from each other.

Lesson 4: Don’t tell them what to do, tell them what not to do

Related to lesson three, play together and produce excellence, is the style of debriefing and guidance Miles offered to his band mates following their performances.  Miles didn’t put a group together hearing the music he hoped they would produce in his mind, then correcting them to come as close as possible to his vision. Miles believed in an experimental approach to developing new music. When reflecting about what took place in performances, Miles would say what his band mates shouldn’t do but he wouldn’t tell them what to do. He hired them for their expertise on their individual instruments. He wanted them to bring their ideas to the table so they could take ownership of their performances and the product of the group.

The high performers in your organization reached a level of success before becoming members of your team. When managing high performers, take advantage of their creativity and input by channelling, not directing their contributions to the organization.

“If you don’t know what to play, play nothing.”
Miles Davis

Lesson 5: Listen to save the day

Deep listening is the art of hearing not only what is said but also what isn’t said. On stage, Miles had the opportunity to lay out and listen to what his band mates were playing.  There were times when while reaching for new forms of expression, the band lost its way. By listening to what wasn’t there, Miles could enter the fray at the right moment with the phrase that would bring the other players back together again, finding a groove that was satisfying to the musicians and the audience.

Look for your opportunities, especially in conflict, to find what isn’t being said and remind the participants in the argument that they are on the same team. Listen for agreement that the parties may be missing, summarize, and encourage them to listen deeply to each other when emotions run high. “What I am hearing is…” is a great way to interject.

“I’m always thinking about creating. My future starts when I wake up every morning… Every day I find something creative to do with my life.”
Miles Davis

Lesson 6: Talk about life, not music

With our busy lives it may be tempting to leave work at work and leave life at home.  We can get through our workdays without sharing with others the experiences that shaped us outside of the work environment. Miles believed knowing the personal histories of his band mates was crucial to being able to know them musically. He invested time in learning about the backgrounds of his band mates and he shared his own. This sharing created an environment of trust that helped his musicians to work with each other more closely.

Be willing to be more open when you are managing high performers as it can lead to more effective, trusting relationships. A deeper bond of respect can increase loyalty to you, and commitment to your organization and its goals.

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2 replies
  1. Brian De Luna
    Brian De Luna says:

    These are actually pretty good tips because it actually make sense. I especially like lesson 4 because telling your high performing employees actually limit what they can do unlike when you just reiterate the don’ts. For example in dealing with lawyers, since they have their area of specialization, they already know what to do or how to practice their profession but you still have to guide them of the labor dos and don’ts of the company or law firm.

    • James Culver
      James Culver says:

      Thanks Brian! I’m glad you found the ideas useful. One addition that didn’t make the blog is to frame some projects as experiments with attempts as trials. Miles often approached building music as an experiment. That included the composition of the team, new musical structures and approaches. Not meeting the mark every night was expected and analyzed for learning together before the next gig. It gave people confidence to go beyond playing it safe together and reach unforeseen heights.

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